“My concept is that I am using the finest instruments ever made and legendary analog outboard gear in a professionally designed/tuned room to record and export raw drum tracks of the very highest quality. My method is to collaborate directly with you the artist/composer/producer to capture the most magical organic performances. Your sessions will contain a fully produced stereo mix and 16 separate drum tracks giving you every option you will need to process and mix your way, for your sound…”
Drum Kits
1940′s Leedy 3-Ply Maple Kit
All original calf skin heads and brass hoops.
THE SOUND of the BIG Band Era…Sing, sing, sing!
(26×14″ bass, 20×14″ bass,
13″, 14″, & 16″ toms)
1960′s Ludwig 3-Ply Mahogany Hollywood Kit
THE SOUND of the 60′s…Ringo baby!
(22×14″ bass, 13″ & 16″ toms)
1996 Sonor Force Maple Kit
From AC/DC to Tool…Nothing sounds like a Sonor
Pic: Single-headed toms, THE sound of the 70′s
(22×16″ bass, 12″, 13″ & 16″ toms)
Ludwig Classic Maple Jazz kit
From Mitch Mitchell to Amy Winehouse and the Dap Kings!
The sound of vintage Jazz-Rock meets Motown
(18×14″ bass, 12″ & 14″ toms)
70′s Ludwig 3 ply Maple Big Beat kit
The ultimate Classic Rock sound
(24×14″ bass, 12″, 13″ & 16″ toms)
1980′s Gretsch Square Badge Kit
From Phil Collins to Metallica…Did someone say Grohl?!?!
(24×16″ bass, 12″, 13″, 14″ & 16″ toms)
Snare Rack
Piccolo/Soprano
Tama 3.5×12″ Steel,
Ludwig 6×12″ Maple, Tama 4×14″ Bell Brass,
80′s Tama 4×14″ 12 Ply Rosewood,
1967 Ludwig 3×13″ Supraphonic,
Ludwig 3×13″ Black Beauty,
1920′s Ludwig 4×14″ Solid Shell Mahogany,
1920′s Ludwig 4×14″ Standard 2 Piece Brass (8 Lug)
Medium
1920′s Ludwig 5×14″ Standard 2 Piece Brass (10 Lug)
1920′s Ludwig 5×14″ Standard 2 Piece Brass (10 Lug)
Ludwig 5×14″ Black Beauty,
Noble and Cooley 4.75×14″ Alloy Classic,
Noble and Cooley 5×14″ Solid Shell Maple,
68′ Ludwig 5×14″ Supraphonic,
65′ Ludwig 5×14″ Acrolite,
Deep
1982 Tama 6.5×14″ Bell Brass,
Ludwig 6.5×14″ Supraphonic,
Ludwig 6.5×14″ Black Beauty,
Pearl 6.5×14″ Masters Mahogany,
1980 Tama 6.5×14″ 12 Ply Rosewood,
Super Deep
Craviotto 7×14″ Solid Shell Maple,
82′ Tama Superstar 8×14″ Birch
Recording Gear
UA 2-610 2 channel Tube mic pre-amps
7 channels of BAE Vintage API 312a mic pre-amps!
7 channels of BAE Vintage Neve 1073 mic pre-amps!
2 channels of UA black face 1176LN Limiting Amplifier/Compressors
4 channels of SPL Transient Designer
Lynx Aurora 16VT 16-Channel 24-bit/192kHz A/D and D/A Converter
Microphones
Dynamics
Vintage AKG D12E, Shure Beta 52A, AKG D112,
Electrovoice RE-20, Senheiser 421 (x2), Audix D6, SM 57, Audix i5
Vintage Shure Unidyne 545SDS, Yamaha Sub-Kick, CAD KBM 412, AT AE2500
Condensers:
Vintage 70′s Neumann U47 FET!
A pair of Vintage Neumann KM84/85′s!
A pair of Vintage 70′s Neumann/Gefell M71/MV692
A pair of Vintage 70′s Neumann/Gefell M70/MV692 (x3)
A pair of Vintage 70′s Neumann/Gefell M93/MV692
Vintage AKG C 452 EB, Vintage AKG C-414 B-ULS
Vintage Sony C-500
Tubes
Vintage 60′s AKG C12a Tube Mics (x2)!!!
Vintage 60′s Neumann M-582 Tube Mics with spherical M-50 capsules (x2)
Vintage 60′s Neumann M-582 Tube Mics (x2)
Ribbons
Coles 4038 (x2)
PZM’s
Crown PZM-30D (x2)
Room Tuning

All room tuning by: Rick Ruggieri
Cables
All Cables by: Mogami
Electrical

Separate Commercial Grade Studio Installation by:FHGConstruction















